Parish Mission & History

Ascension and St. Edmund Parish Mission & Values

We, the Catholic community of Ascension and St. Edmund parish,

live, share, and bear witness to the Gospel of Jesus

through welcoming inclusion and acceptance of all people,

vibrant liturgies and music,

and a commitment to social justice and service to others.

Welcoming Inclusion and Acceptance of All People

Jesus calls us to walk with our neighbor. At Ascension and St. Edmund, we work to ensure that everyone feels welcome at our table.

Vibrant Liturgies and Music

“How can I keep from singing!” Our liturgies and music reflect our joy in being in communion with the Lord.

A Commitment to Social Justice and Service to Others

We live in an unjust world. God calls us to hear the cries of those who suffer, and to work for justice and peace in the world.

We are further united by the values we share:

Each person is a gift from God. We celebrate our DIVERSITY.

We are called to SHARE THE GIFTS and TALENTS we have been given.

COMMUNITY allows us to share our joys and lighten our loads.

Ascension and St. Edmund Parish was formed on July 1, 2022 as a result of the Renew My Church Process.

History of Ascension and St. Edmund Churches

Ascension Church was founded in July, 1907 by the Catholic families of South Oak Park led by Father Thomas McDevitt, our first pastor. The Masses were celebrated in our first church, a clubhouse on South Scoville Avenue. In 1912, ground was broken on the land that had been purchased at East and Van Buren and construction of the school and the rectory was completed. The first rectory sat at the corner, facing Van Buren.

The church, school and convent were combined in the school building when the school opened in fall of 1912. Four Ursuline sisters came to Oak Park to open the school; 240 students registered for classes. The church was on the second floor of the building (where our current third grade classrooms are) and the convent was on the third floor, along with some classrooms.

In the 1920's, as the school population grew and required more classrooms, the convent moved to the original clubhouse. When that, too, did not suffice, two houses were purchased on the east side of East Avenue. The sisters lived in these two homes, with a bridge constructed between the second floors of the two buildings, until they were razed in 1939 for the construction of the convent. This work was completed under the direction of our second pastor, Msgr. William A. Cummings.

In the late 1920's, the rectory was raised from its foundation, turned 90 degrees clockwise, and repositioned 50 yards south of its original location. The church was build in its place facing East Avenue.

The school basement was turned into the "Pine Room" in the 1940's during the pastorate of Father Francis "Packy" Ryan. The Pine Room soon became the center of parish life, and it has remained thus through several renovations.

The last of Ascension's buildings, the second school building was added to the south end of the existing school in the mid-1950's as the school population neared 1,000. Every available space was filled with students, with up to 50 students in a classroom.

Msgr. John D. Fitzgerald led Ascension through the 1950's and 1960's, a period of great growth and vibrancy at Ascension and a time of great change for the Catholic Church. With Vatican II, the laity was invited into greater participation in leading the church, and religious vocations declined. With the increased costs of running a parish school, tuition rose and enrollment fell.

The 1970's and 80's were a tumultuous time at Ascension. Pastor Bernard White led the parish during the 1970's as it experimented with different models of lay leadership and identity, and as the parish helped anchor the village as it weathered the changes of the Civil Rights era. Throughout the struggles, though, Ascension enjoyed its continued reputation as a strong community, and enjoyed the parish life rituals of shows, sports and social activities.

In the early 1980's, Fr. Jerry Broccolo became pastor and brought with him a zeal for training Lay Leadership. He participated in interfaith Lectionary Study and encouraged evangelization efforts. Fr. Robert Cross followed Fr. Broccolo and continued the interfaith study. Fr. Cross also promoted involvement of Ascension in the Community of Congregations of Oak Park, River Forest and Forest Park. He was active in social justice and peace initiatives and with leadership from the parish, formed a peace and justice committee.

Years of deferred maintenance caught up with Ascension and it became clear that the buildings were in need of restoration. With Pastor Frank Jenks, the huge project of restoring church and school began. In 2003, under Pastor Larry McNally, the Pine Room was gutted and completely remodeled; three years later the interior of the church was painted in preparation for the year-long celebration of the parish centennial. For months, Mass was said in front of the scaffolding constructed to reach the interior of the dome. Parishioners sat on folding chairs while the pews were being refinished. The church was restored to a new, bright normal just in time for Christmas liturgies. In August 2006, Ascension purchased the small home at 821 S. East as a "parsonage" and moved all parish offices to the former convent. The lovely but no-longer-safe rectory was demolished. With that move, we truly entered our second century!

St. Edmund, the first Catholic parish in Oak Park, was founded by Archbishop James Quigley in June of 1907 with the Rev. John J. Code as pastor. For want of a more suitable site, the first Mass was celebrated in the barn of the Scoville Estate (now Scoville Park) on Lake Street and Oak Park Avenue. For the next three years Mass was said in a rented hall on Lake Street, east of Oak Park Avenue.

The beautiful 14th Century English Gothic Church and rectory designed by Henry Schlacks were dedicated in May of 1910. It has priceless art glassSt. Edmund Church and Green windows executed by the Zeittler Studios in Munich. Prior to its 2000 restoration and renovation, the church had been decorated three times. John Mallin designed the 1943 and 1951 decorations. The ceiling and paintings in the church were his design, executed by graduate students of art in Vienna. In the late 40's, and until he died in 1956, Msgr. Code made many changes to the interior of the church including replacing the Henry Schlacks altar, pulpit and baptismal font with new marble ones designed by DaPrato Rigali. In 1954 the original red tiles of the church roof and steeple were removed. Grey slate tiles were added to the church and the steeple was encased in stainless steel.

St. Edmund School, of 15th century French Gothic design, a copy of the Palace of Justice in Rouen, France, was also designed by Henry Schlacks. This was opened in the Fall of 1917 and staffed by the Dominican Sisters from Adrian, Michigan. An annex to the school was completed in 1948. A modern addition to the south of the building was opened in 1959.

In 1929 the parish bought the home of W.G. Lloyd at the SW comer of Euclid and Pleasant to be used as a convent. Architecturally significant, the building is thought to be designed by George Maher, the architect who designed "Pleasant Home" in Mills Park.

Murphy Hall, adjoining the north side of the church, was added in 1970. At this time the church was renovated to provide more seating and to conform with Vatican II.

St. Edmund Church has been a work in progress. The restoration and renovation of the church in the late 1990's was begun after some 200 parishioners gathered to formulate a concept statement defining treasures, needs and values of the parish. As a result the windows and ceiling were cleaned and restored. The interior is barrier free and has improved state of the art lighting and sound systems. The ambo and altar, along with the sanctuary, were reconfigured to best express how the liturgy is celebrated today. The original floors were uncovered and cleaned and original pews and wainscoting were refinished. Henry Zimach of HPZS was the architect of this renovation. John Buscemi, the liturgical consultant, redesigned the altar and ambo, and designed a new baptismal font.

20th Anniversary - November 19, 2020, Re-dedication of St. Edmund Church. Hard to believe that twenty years ago, under the leadership of former St. Edmund pastor, Fr. Joe Ruiz, that we re-dedicated our church! Bishop Thad Jakubowski officiated. Renovation and restoration at that time included: making the Sanctuary handicapped accessible, Mary and Joseph statues were returned to their original location, the original floors were restored, a new baptismal font was placed at the church entrance, windows were cleaned! And there’s more! The walls were neutralized so that the church ceilings and stained glass windows would pop, lighting was improved. Even long-time parishioners would have a difficult time remembering how the church looked prior to the renovation! It is powerful to witness the joy on the faces of those who visit our church for the first time.

About Ascension Church: Article at the Office of the Catholic New World, 1929

This article was on file at the office of the Catholic New World. It was originally written when the church was dedicated in 1929.

The new Ascension Church in Oak Park recently dedicated by His Eminence, the Cardinal (Mundelein) is a remarkably congruous example of the Italian Romanesque style of architecture, every detail being in perfect keeping with the design of the structure. The exterior is of Indiana limestone, with mission tile roofs (replaced in 2000). A large dome surmounted by a statue of Christ ascending into Heaven is illuminated at night by indirect lighting. At either end of the (exterior) transept, mosaics have been set into the stone, a star above the end holding the nativity window (restored in 2000) and at the opposite end, a dove above the window showing Christ teaching in the temple.

MOSAICS BETWEEN ARCHES

There are also mosaics set between the arches of the pillars of the façade, the four mosaics forming the letters A. M. D. G. while with the portico, just above the main door are the Arms of His Eminence, the Cardinal. Ascension Church was designed by the firm of Meyer and Cook, architects, while the contractor was Patrick Warren of the Mutual Construction Company. The interior of the church has the classic nobility of line and proportion and the brilliant delicacy of coloring that one associates with the Italian Romanesque. The frescoes are painted in the manner that prevailed in Italy when this style was at its height. There is an archaic grace about the figures portrayed that is appealing, while the colors, especially a certain light blue, are those frequently found in the work of the old Tuscan and Siennese painters. These are done with a vegetable paint that does not peel, and can be washed.

MAIN FRESCO

The principal fresco, of course, is that of the Ascension, (replaced by a crucifixion scene in the 1950's) which occupies the upper part of the sanctuary. There are also pictures of the four evangelists on the pendants (repainted with symbols of the seven sacraments in the 1950's).* A symbolic figure of a dove, and the papal arms are portrayed on the sides of one transept while a figure symbolizing the Holy Trinity, and the arms of His Eminence, the Cardinal, are painted on the sides of the other transept. The Annunciation is portrayed above the Blessed Virgin's altar;* and the Holy Family above St. Joseph's altar. The figures of the four major prophets, Ezekiel, Jeremiah, Isaiah and Daniel, with the figures of four angels are portrayed in the sanctuary, just below the great mural of the Ascension (now covered by red marble). The original decorations of the church is all the work of Conrad Smith. The altar is a semi-baldacchino altar of marble imported from Italy by the McBride Studios and mosaic. The communion rail and the pulpit are also of marble and mosaic. Panels of mosaic alternate with inset pillars in the communion rail, which has doors of wrought bronze. (The pillars from the communion rail now support the new altar and form the Paschal Candle holder.) A mosaic of Christ teaching is on the face of the pulpit, with the symbolic figures of the four evangelists set at each corner in marble relief work. The acoustics of the church are flawless, which is quite an achievement on account of the dome. The acoustic materials used in the walls were furnished by the Acoustic Engineering Company.

*The 2006 painting did not restore these features.

TERRAZZO FLOORS

The walls are plaster and the floor is of terrazzo, that in the Sanctuary and in the aisles of the church being of pattern or inlaid terrazzo (whereas the sacristy is poured terrazzo) being used in a church in the United States for the first time. The pews and the confessionals are of five-ply oak, the ends of the pews being carved. There is a fine carving on the Confessionals as well as finely wrought bronze gratings. The Manitowac Church Furnishing company supplied the pews. There is a large organ (replaced in 2004) in the balcony as well as an echo organ, operated from the balcony but the sound of which comes through open grills in the Sanctuary. The windows were imported from Munich by Franz Mayer, the most important being the rose window of Christ the King (restored in 2004) over the organ. On either side of the church, the lower windows depict scenes from the life of Christ and His Mother. The upper windows on one side of the nave depict St. David, St. Edward, St. William, St. Anthony, St. Francis, St. Malachy, St. Stanislaus, St. Aloysius, St. Alphonsus, and St. Thomas Aquinas. Opposite are portrayed St. Elizabeth, St. Catherine of Siena, St. Teresa, St. Anne, St. Rose, St. Agnes, St. Ursula, St. Angela, St. Cecelia, and St. Joan of Arc. The windows in the transepts represent the minor prophets and the Greek and Latin doctors of the Church.

BRONZE STATIONS

The Stations of the Cross, imported for the church by Koenig, are of bronze relief work, and each has individual lighting. The vestibule is of Mankato stone, or Mankato marble as it is sometimes known. The doors are brass studded and very handsome. The baptistery, (now the courtyard entrance) the room for the ushers, and the Sacristies, are all spacious and convenient. The entire church has a classic spaciousness, with a typically Italian loveliness of color that is characteristic of the Italian Romanesque

PARISH FORMED IN 1907

The Ascension Parish was organized on July 3, 1907, and Father McDevitt was the first pastor. The first services were held in a club house, when the congregation numbered eighty families. In 1908, the old Phoenix Club was purchased and used until 1912, when a combination school and church building was built. Work on the new church was begun in November 1928, the altar was consecrated on June 4 of 1929, and the present church seating 1,100 was dedicated on June 15, 1930.

Ascension servers ca 1957, from the 50th Anniversary Booklet